A man's clumsy attempts to marry his young naive ward. Ophuls' idea was: show the Louis Jouvet theater troupe, which had decamped to Geneva, playing for an audience and show things like the actors getting made up, and going behind stage.

Taped live at the Princess Grace Theater in Monte Carlo, a dope rendition of the play about a bourgeois obsessed with infidelity who grooms his future wife from an early age so that she ignores the things of life and therefore temptations.

暂无剧情简介

暂无剧情简介

暂无剧情简介

In the 1920s, the Aurassienne country is one of the poorest regions of Algeria, often ravaged by long winters, famine and disease. Brahim a master craftsman, is one of the richest men in the country.

一间狭窄而现代的教室里，靠墙摆放着一口木棺。十八名男女坐在桌前，正在参加为期四周的殡仪员培训。他们将学习有关坟墓、尸体、官方规定以及悲痛家属的一切知识。他们也即将了解到死亡这件事有多复杂。

Pierre Rossi and Béatrice live in the same block of flats in Marseille and love each other. One night, Béatrice leaves her apartment. Pierre knows that his fiancée goes to a rendezvous, but she would not tell him more than just that. Worried, Pierre follows her but he is attacked and stolen his identity papers by two men, Tom and Nasol, on the payroll of Quaglio, one of the city's bosses. Later on, Quaglio kills Nasol and deposits the body in a garage, leaving Pierre's papers nearby. As for Pierre, he manages to follow Tom to a villa where several young women have been invited. Pierre, horrified, realizes that this place is the headquarters for the white slave trade.

In a school near Paris, a new experiment is being tried: to allow each child to express him or herself. In the smaller classes, group activities were dispensed with: each child did what interested him or her, according to temperament and desire. In other classes, grades are unknown and there is no fixed program; in English, the teacher lets the pupils work and converse according to their own style and rhythm; in a natural science class, we see a 10-year-old child expounding a theme on her own and answering questions from her classmates. Artistic activities also feature prominently: theatrical improvisation and orchestra formation, among others. The creation of a council allows children to submit initiatives, discuss them and organize themselves around their suggestions.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.